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5D Mark II videos retiming from 30p to 25p/24p - first findings

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Two weeks ago, a few friends from my film school took the Canon 5D Mark II to the Ostsee coast to test whether it would be suitable for the short film they want to shoot in August. They gave me the material they shot so I could try various retiming methods to see if it was possible to get a decent looking 25p copy of the material. (Update: I have since shot some more tests, read about them here. Update Nr 2: I have written two extensive blog posts on how retiming works and how to do it in After Effects. Find them here.)

Most technically minded filmmakers will be aware of why the 5D is such a hot topic right now, but for those who aren't, here is a short summary: The 5D is a DSLR Camera that can record video in 1080 30p (HDTV). Why does this matter?

Giving twitter and flickr a try

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I just started to give twitter (my twitter feed) and flickr (my photostream) a try. Some of their networking tools are indeed nice.

Also, expect a report about my after effects frame rate conversion tests for the Canon 5D Mark II here soon (30p -> 25p).

New after effects script to create render comps

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I currently do some compositing work for the short film Bordercrossing. I took over from another compositor who did a couple of shots that the director and editor now want me to make some changes to. Some of those shots are very long compositions and I was asked to make changes to only some fragments of them and render those out. Since I found myself repeatedly creating new compositions that contained the big master comp as it's only layer but only the working area time fragment of it, I decided to write a small script to do this. You can find it attached or on aenhancers.com

www.iconoclash-photography.com updated

About a week ago Teresas and my updated photography portfolio website went online - www.iconoclash-photography.com. If you like to browse through photos, do take a look!

There are still some sections missing, but the portrait portfolio as well as the wedding portfolio and 3 more individual samples are already online. There is also some information on how we work and before and after samples of the digital development and retouching we do.

The rest of this post is about technical details about the page, so read on if you are interested in this kind of thing, everybody else will probably be terribly bored by all this :).

The page is currently flash 9+ only. This will probably enrage a few people as flash is a proprietary plugin that has a very poor security record, but it is sadly still the only thing that allows rich, cross-browser/platform consistent content authoring and that has a reasonably big install base.

Rich content authoring is often used as a euphemism for things that no one ever needed but that some web designer thought would be cool. What I care about in a portfolio website is not the ability to use video, but precise control over the typography, the ability to animate images and as little problems as possible in the process. Sadly, html still provides none of the above.

The only other contestant btw would have been Microsofts Silverlight. While it seems very promising (especially the programming model, which in version 2 is a pretty complete version of the .NET environment plus an XML based markup language for the design of the gui elements) the install base is too small at the moment.

The site itself is one main flash file that I did in Flash with quite a bit of Actionscript 3 for the fade effects and navigation logic, and a modified version of Autoviewer Pro for the gallery.

Flash has come a long way since it's early days, and while there are still a lot of things that are pretty silly and smell of bad compromise, all in all it has become a pretty decent tool. Things like SWFAddress, a small flash component and java script, make it possible to have deep links in one flash file, which means the URL in the address bar changes when you click around inside the flash object and enables the browser back button to work like it would with conventional HTML pages. This last thing is something that I always found to be very important, as using the back button to navigate is such an important concept in the web. Oh, and SWFAddress also allows you to use Google Analytics to see which pages our visitors actually look at, which is important information to make future versions of our website better to navigate.

When we thought we were done with our site, we posted it to photo.net and asked for feedback. One of the things we learned from this was that some people were too impatient to wait for the fade effects to complete, so we implemented the quick navigation feature on the top right side.

Creating and especially fine tuning the website so that everything looks pretty and works like expected was a lot of work, but I think that it was worth it. Hopefully we will still like it in a year and can concentrate more on making photos now :)

48 hours filmmaking at filmArche

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I participated in the 48 hour film making session last weekend at my filmschool. I shot a 2 minute B-zombie homage with two classmates (Timo and Alexi) and a few folks who played the zombies. The film is online at vimeo, so I embedded it here in SD quality (but you can see it in HD directly on vimeo).

Spur des Verderbens from Daniel Bachler on Vimeo.

As I wrote above, it is a short film that was entirely done in 48 hours (that includes coming up with the idea, writing/planning, shooting, editing, effects), so it is pretty short and has some rough edges, but I'm quite happy with the result.

We shot the whole thing with my new Panasonic Lumix LX-3 Photocamera in HD Movie mode. The LX 3 lacks some important controls (shutter time, full manual control in movie mode, no focusing and zooming while shooting) but it did a pretty decent job nonetheless. I was especially surprised by the quality of the sound (of course it is not nearly good enough for anything serious, but it is interesting how usable it still is). We shot everything with available light only, and the camera handled it rather well (the 2.0 max aperture at the wide end is a great thing - go Leica!). The sound you hear is all from the camera, except for the music and a few Foley sounds.

The noise is pretty strong and we softened it a bit by processing the entire film in after effects with a slight glow (by adding a blurred version of the edit on top of the original and adding it with screen mode and about 40% transparency), but for render-time reasons we did not use any degraining solutions. If anyone is interested in the original material send me an e-mail and I will upload some of the original material to vimeo.

The music we used is Cellule from the Band Silence who were kind enough to put their song on Jamendo under a very liberal license (Thanks for the nice song)

We also used some sounds from freesound.org (see the credits for details)

The film is released under a creative commons license:

Creative Commons License

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